Fanboy News Network Episode 27

Fanboy News Network Episode 27

“The podcast that almost wasn’t”
Jeff details all the things that went wrong in producing this episode
discussion on recent conventions
Burning man
Recent changes at Marvel Studios
DC’s 2 million dollar shortfall and what they are doing about it
Marvel is the wake of Secret Wars
Daniel talks about books

The Dickwolves rise again

Dickwolvesshirt

I had planned to have a completely different subject for this week’s column, but then the dickwolves had to rear their ugly heads. So now I feel the need to really weigh in on this matter.

Some ground rules before we get into this. I am going to recap what led us to this sorry state of affairs, if for no other reason than to make clear what my understanding of it is. Then I am going to give my opinion on what it all means and what can be done about it.

And due to the subject at hand, I feel the need to place a trigger warning here. This subject includes discussion of rape and sexual harassment. I am going to go in bluntly at times, so be aware going in.

And with that, here we go.

This all started on August 11th 2010 when the web comic Penny Arcade published a strip titled The Sixth Slave. The strip was about the odd morality presented in MMOs where you are given a quest to rescue five slaves. In it, a sixth slave begs for rescue and when detailing the horrid conditions of his captivity says he is raped nightly by monsters called dickwolves. The mention of rape is not the central them of the strip, and is clearly there as a means to make the condition of the slave as horrible as possible.

However it was still a gratuitous use of rape as set up for a joke and some people did take offense. The creators of Penny Arcade, Mike Krahulik and Jerry Holkins, reacted to the criticism by offering a quick commentary in their blog which amounted to “agree to disagree.” If that was all they had done I doubt I would be writing this right now. They also made a response strip called Breaking it down, which made light of the rape concerns.

This was the insult that really started the issue. Several blogs and even newspapers comment on the situation and almost universally object to how Penny Arcade had handled the situation. If you are interested in looking at these then go here to the Tumblr Debacle Timeline which has an exact timeline of events and links to articles.

Penny Arcade responded to these complaints by making dickwolves merchandise and selling them through their store.

Courtney Stanton, who had been asked to speak at the Penny Arcade convention PAX East, said she would not go to the convention as she is a rape survivor and could not support them, due to how the dickwolves situation was being handled. There were a couple of responses to this. One is that the dickwolves merchandise was removed from the Penny Arcade store. The other is that Courtney Stanton starts getting harassed by Penny Arcade fans. Of special note is that a pro Penny Arcade twitter account, @teamrape, is created with the express purpose of harassing people who voice any disapproval or the Penny Arcade over the dickwolves.

During all this there were no comments from Jerry Holkins. Mike Krahulik does comment, but only to mock the complaints or egg on the fans who are supporting the dickwolves. Again look at Debacle Timeline for specific examples.

And there were death threats made. Courtney Stanton of course received both death and rape threats. So did many others who commented on the situation. My friend Mickey Schulz, who writes Geek Girls Rule, wrote about this and to this day receives threats whenever the story resurfaces.

In February of 2011, Krahulik also received a death threat. This marks the only time Holkins makes any comment, to decry the people threatening Mike and to ask people on both sides to calm down.

There is much more that happened over the next year. Far more than I can possibly go over here. Again, debacle timeline covers it all very well.

Over time the dickwolves controversy, while never going away, faded into the background. But it was not completely forgotten. In July of this year, Krahulik had another controversy come up when he got into a twitter fight over his views on transgender. I covered that situation here. Unlike the dickwolves situation, Krahulik actually apologized and made an act of contrition. It was a good sign. However, this incident, combined with the dickwolves, led indie game developer The Fullbright Company to cancel their booth at PAX prime.

There was also an article posted by the Financial Post, in July, titled Penny Arcade needs to fix its Krahulik Problem. While a direct response to the transgender issue, it does reference the dickwolves.

And this leads us to the most recent event. On the last day of PAX Prime, at a panel, when asked what his biggest regret was Krahulik said it was removing the dickwolves merchandise from the Penny Arcade store. PA President of Operations and Business Development Robert Khoo backed him up, saying the complaints should have been ignored. The audience cheered and applauded.

This, of course, has reopened the wounds of the entire controversy. Almost immediately, articles and blog posts came up condemning the statements by Krahulik and Khoo. On the flip side, you had posts once again calling those making complaints crybabys, and defending Penny Arcade by pointing out all the good work they do.

On Wednesday, following PAX Krahulik posted an apology and clarification on his position. While he does think it was a mistake to pull the dickwolves merchandise he does state that he thinks making it in the first place was also a mistake. He basically says that their handling of the entire situation was a long series of mistakes.

So where does this leave us?

First, why does this situation keep having legs?

The problem comes down to the how Penny Arcade overall, and Mike Krahulik in specific, have dealt with the situation.

As I said earlier, the original joke was about the senseless and abusive MMO story mechanics but the execution of the joke was crass and caused the point to get lost in the ensuing argument.

The entire mess could have been avoided, in the first place, if Krahulik and Holkins had just apologized for offending readers and moved on. Even a BS non-apology, or simply ignoring the situation, would have probably led to it blowing over. Instead, they opted to mock those complaining and double down on the offense. That fact that Krahulik himself says he now recognizes this is hopefully a step in the right direction.

But there are a lot of people not giving any slack on this. They have pointed out that this is not the first time he has apologized, after doing something like this, and yet here we are again. There are a lot of people saying that this is purely a PR move by Penny Arcade, and that when everything dies down it will be back to business as usual. This could very well be the case, and if true than something else will happen again, and we will all be having this discussion all over again. That is assuming this blows over, this time.

There is also a lot of speculation that this may not have been the most sincere of apologies.

One good question, about the apology, has already been raised: if Krahulik says that he regrets everything they did, than why, when asked at the panel, did he say his biggest regret was pulling the dickwolves merchandise, instead of saying his biggest regret was making it in the first place?

Also, there is no mention of any steps he is taking to avoid doing this in the future. Now it could simply be that he is not the most introspective of individuals, and taking those steps never dawned on him. It could also be that the entire apology is damage control, with no other purpose behind it.

Really, there is no way for us to know.

For the purposes of the rest of the points I want to make, we will be taking Krahulik’s comments from Wednesday at face value. Just mentally add “if he is truly sincere” to everything I write, from this point on.

Krahulik had stated, during the transgender incident, that when he feels threatened he gets hostile. If he is now recognizing this, and trying to work on it. then it is a step in the right direction.

When the comments appeared on Monday, Krahulik appeared to be lacking in this empathy. I think there may be some truth to this still, as he seems to not have the necessary awareness when he says things like he did on Monday. It is also possible that his apology comes from the fact that he has at least learned to recognize when something is blowing up in his face. His comments on Wednesday show that this may not be the case. The impression coming out of his latest comments could be those of someone who is in over his head. I don’t think he ever imagined, when starting the comic with Holkins, that they would end up running one of the largest conventions in the industry, and be seen as role models by the community. He has said that he still sees himself as just the guy that draws a web comic.

Unfortunately for Krahulik and Holkins, they now are role models, and off the cuff comments from them do have an effect.

Then you have the fans. As I stated earlier, Penny Arcade fans can get really passionate and aggressive against PA critics. They have been known to crash web sites in the name of PA. Hell, I recognize that just by writing this column I could very well become a victim of the Penny Arcade fan rage. But if Mickey can stand up to regular death and rape threats, then I can handle being called names and maybe having my site crashed.

Let us remember that the fans cheered when the dickwolves were brought up and people in the audience called for the merchandise to be brought back.

There is a very straight forward problem with all of this. Penny Arcade has made a goal of making PAX a safe and inclusive environment for all gaming fans. In fact, they have one of the best harassment policies of any large scale convention that I have seen. However, with the continual uproar over the dickwolves and the stirring up of the fans, they actually create a hostile environment for rape survivors and, really, women in general. During PAX east, in 2011, the @teamrape twitter tried to organize a dickwolves flash mob, and did so using classic bullying language (come join our fun dickwolves flashmob). If  Krahulik and Holkins really want us to believe they want the inclusive environment, then they need to publicly decry @teamrape, and others like them, that harass people in Penny Arcade’s name.

Whether the apology was sincere or not, if they do not get a proper handle on this, Penny Arcade is running the risk of having the good work they do being damaged. Already you have people writing that they do not find PAX a safe place in light of these comments and the fans reaction to the dickwolves statement on Monday.

That segues into another problem with this, a lot of the people defending Penny Arcade simply point to the good work they do, such as the Childs Play charity, as a defense saying that they do more good than harm. This is an empty defense, as harm is harm and good work does not offset it. It would be like saying Michael Vick does good work through the Vick Foundation, so that offsets staging dog fights. And Krahulik knows this, as he has said that he worries that his comments can damage the work they do.

So what needs to happen?

A lot rests with Mike Krahulik himself. He is not just an owner and creator at Penny Arcade, the brand is largely built around him. He has to internalize that his words carry weight, and that he needs to learn to pick them more carefully. If he has not taken sensitivity training, he needs to consider doing so.

In addition, Penny Arcade and its subsidiaries are going to have to face up to the fact that they have been damaged by this. They are certainly losing the impression that PAX is an inclusive environment. They are going to have people, in increasing numbers, not want to have anything to do with them. Right now, that will not have much impact, as Penny Arcade and PAX are so popular that there are more than enough fans to take up the slack. But if their long term goals are to be welcoming and inclusive, then they have a lot of work to do in order to regain that.

We, as the greater geek community, have a role to play too. Just as I am doing here, people need to give voice to this issue. But in doing so, we have to be careful to not just be screaming into the wind; we need to be making points and backing them up. The best way to make change happen is to make sure things don’t just get swept under the rug

And then we bury the dickwolves once and for all.

San Diego Comic Con 2013

comiccon-150x150It’s that time of year again. San Diego Comic Con was last week, and as it is the premier geek culture event of the year and we are a site that covers geek culture, I am obligated to say something about this year’s event, even though I am not able to attend.

Last year I focused on the problems of just getting to the convention, with record sell-out times. Everything I wrote about that is still relevant this year. The other area I focused on was San Diego Comic Con drifting from its original focus and becoming more of a media show, and in that arena there is more debate this year.

The crux of that complaint is that major portions of the show floor have been bought up by media companies who are pushing their various movies, TV shows, and other non-comic-book-related media. This has pushed out more comic-focused vendors and driven up the price of booth space.  To be fair, most of these media companies are focusing on product relevant to geek culture, but not exclusively. An example was a couple of years ago when there was a booth for the NBC show The Playboy Club which, let’s face it, was not geek culture. On the other hand, it was a small booth and the show did bomb.

There is also the complaint that panel time is taken up with shows that have dubious geek credentials, such as How I Met Your Mother and Psych.

But how fair are these complaints?

During the convention prominent comic writer Gail Simone went on twitter to address these concerns and ask some pointed questions.

The first point was to ask if fans were asking for more comic-focused content. If so, she pointed out that every major comic publisher and most minor ones had booths at the convention. She could not think of one that was not there. Also the majority of convention panels were comic industry focused. She said that if you took out all the other media at the convention, you would still have the largest comic convention. So is there really too much other media at San Diego Comic Con, or does it just seem that way because of what other media covers?

She does concede that small vendors and people in artist alley do get marginalized and could use more love. However, this could be said of any comic convention; it is just magnified at San Diego Comic Con.

The feedback from some of the web comic creators at the show illustrates that point. Randy Milholland, creator of Something Positive, commented throughout the show that he was not making enough money to justify the expense of traveling to the convention. He said he lost a few thousand dollars, and of course the time lost that he could have been working, so he says this will be his last year going. I have heard similar tales from Studio Fogilo, but they still attend; although I suspect more for contacts and publicity.

But I think the best summation of what is going on with San Diego Comic Con came from web reviewer Leo Thompson, who hosts the show That Sci Fi Guy. Thompson was explaining the difference between San Diego Comic Con and Dragon*Con. His conclusion is that San Diego Comic Con is a trade show, where Dragon*Con is a fan-focused convention. To build on his point, I would say that this would be like the difference between E3 and PAX in the gaming community . A lot of fans would go to E3 when it was open to the public, but it is acknowledged that it is an industry show; where PAX is very clearly focused on the actual fans.

If we assume that Thompson is right, the question becomes: is this a bad thing? My gut check is that if this were how San Diego Comic Con was openly presented, then no it is not; but right now that is not the case.

I think this bears more analysis, and I will look at it again after Dragon*con happens later this year.

In the meantime, please let me know what you think.


 

The evolving view of harassment in geek culture

 

John Scalzi

John Scalzi

Author John Scalzi has opened a new chapter in the ongoing debate about harassment at fan conventions. Scalzi is a successful science fiction author, and until very recently he was the president of Science Fiction and Fantasy Writers of America. A week after his tenure as president ended, Scalzi announced what he refers to as his new hard requirement for any convention that wants him as a panelist, participant, or guest of honor. The convention must have a very clear and readily accessible anti-harassment policy.  Said policies must include clear guidelines about what is unacceptable behavior, and where attendees can go for help in those circumstances. The policies have to be made available in places such as the program book or the convention website.

This comes in parallel to another recent incident involving Penny Arcade. You can find more specifics here, but in short Penny Arcade co-founder Mike Krahulik got into a fight on twitter over comments involving transgender issues. The commentary got heated and Krahulik made what many people felt were transphobic comments. Taken on its own it is bad enough, but there was also the specter of the “Dickwolf” controversy from a couple of years ago, which had many people starting to look at Penny Arcade and it’s convention PAX as a hostile environment. The irony here is that PAX has one of the strongest anti-harassment policies of any convention out there. Immediately people started distancing themselves from Penny Arcade, including one game company canceling their booth at the event.

During the Dickwolf issue Krahulik stuck to his guns, which turned a lot of people off. In the time between then and now, he and the people around him clearly learned from the experience. The two days after the transgender argument saw Krahulik issue multiple apologies, admit he has an issue of getting hostile when feeling threatened, and a vow to try to work on these issues. He also made a $20,000 donation to the Trevor Project as a sign of contrition. He also acknowledged that his behavior was damaging to the Penny Arcade brand.

So with these events having just happened, we are once again having the conversation of how welcoming the fan community environment is to people. The positive in both these cases is that there is clear recognition that there are issues and that they need to be dealt with. I also feel they show that progress is being made.

In the Penny Arcade case, in the past this issue would have just festered, but now there is acknowledgement that there was a problem and an actual apology. It is a step in the right direction.

In the case of John Scalzi, you have a prominent author using the cred he has built up over the years to attempt to influence positive change. As of this writing, several 100 people, myself included, have co-signed his pledge.

This does put me in a slightly awkward position, of course. My local convention, Norwescon, is one of the conventions currently lacking in such a policy. However, they aren’t ignoring it. They had a discussion forum that I participated in at this year’s convention about adopting such a policy. Also someone connected with the convention posted in Scalzi’s comment section that they are forwarding the discussion to the convention committee for additional consideration. It is all about getting these important conversations started.

Emerald City Comicon is also in the same boat. I expect they will be addressing this soon as well. At least I hope they do.

It is worth noting that San Diego Comic Con also lacks an adequately published policy. They have one apparently, but it is not where you could find it.

If you are looking for a good listing of which conventions do or do not have policies in place, the site Girl Wonder is compiling a database that can be found here.

While it is clear that we still have a lot of work to do, I feel hopeful that we are seeing positive change, and that geek culture is coming around in regards to how it treats everyone.

I’ll be keeping an eye on all of this and I am sure we will be talking about it again in the future.

Seattle: Geek Captial of the World

I am a proud resident of the Seattle area. I bring this up because I now live in the only state in the union that does not have any form of state sponsored tourism marketing. The State Government is encouraging private business to advertise our state’s virtues instead.
(I want to preface this with the statement that I do not make any income from anything related to tourism.)
I think that we here in the Seattle area have a potential for tourism that could be tapped. Appeal to geek culture.
One week a year the center of geek culture is San Diego California. I say we make a play for the other 51 weeks a year.
We have a head start. In Seattle we have the Experience Music Project and Science Fiction Museum and Hall of fame. We have Seattle Pioneer Square with the Seattle Underground tour.  We have the original Game Works. We have PAX which is becoming, if not has become, the major convention for gaming, electronic or otherwise. We have Emerald City Comic Con, a fast growing comic book convention. We are the home of corporate headquarters for Amazon, Microsoft, Nintendo America, Wizards of the Coast and I Can Haz Cheezburger. The number of gaming companies of all sizes in this area is in triple digits.
So how do we do it?
Well first all those groups I mentioned above? They need to get together and start promoting Seattle as the place where geek culture comes from.
Next someone would need to build something that would be a year-round destination for the geek fans. Anyone remember the Star Trek Experience that used to be featured at the Las Vegas Hilton? Something along those lines that, but where it is the center piece of a whole center, maybe a resort.
Someone is thinking this is a good idea. In 2014 a Star Trek theme resort will be opening in Aqaba, Jordan. Now I don’t know about you, but even though I would love to go to a Star Trek resort, I do not see myself traveling to Jordan to do it.  I could see people coming to Seattle to see it however.
Or how about a hotel that had rooms that were rigged to simulate being haunted. As long as I have the ability to turn off the effects when I want to I think that would be awesome, and could be a big draw every October.
However none of this would be a sure bet. In 1997 The Wizards of the Coast Game Center opened in the heart of Seattle’s University district. It was a complex dedicated to gaming and included a game shop, video arcade, a network of computers for LAN gaming, a tournament gaming area, and a twelve pod Battletech combat simulator. A gamer’s dream come true. It closed its doors just four years later. There has been a lot of analysis of what went wrong. Although mismanagement is the likeliest culprit, It stands in people’s minds are a failure of a geek centric venue being able to draw people in.
But does that mean no one should try again? Paul Allen didn’t think so when he opened the Science Fiction Museum and Hall of Fame in 2004. Housed in the same building as the Experience Music Project, the Museum is a collection of Memorabilia such as the Original Star Trek captain’s chair, and exhibits like the current Battlestar Galactica and Avatar exhibts. It also hosts the Science Fiction Hall of Fame and Science Fiction Fantasy Short Film Festival in association with the Seattle International Film Festival. True it was folded into EMP last March, but it is still effectively a going concern.
Maybe we need to start a meme. “Seattle, Geek capital of the world.”