Jeff is joined by Jennifer Lovely (http://jengaloves.com) and Michael Montoure (http://www.bloodletters.com) as they continue their discussion about little known of rarely viewed horror films that they think horror fans should be paying attention to.
Convention season is upon us now and with it the questions about acceptable behavior have reared their heads again.
Specifically you had Fan Expo Canada, which was March 7th thru March 9th. In an effort to drum up last minute sales, they sent out an email which included the line “escape the deep freeze this weekend – cuddle a cosplayer.”
This obviously caught the attention of several people and eventually was brought to the attention of Jill Pantozzi of the geek news site The Mary Sue. There was concern that the statement could be seen as encouraging the harassment of cosplayers. Pantozzi reached out to Fan Expo Canada to attempt to get a response on their intent with the ad. The response she got was that they had thought about pointing out that consent was implied but felt bringing focus to the rules all the time would hurt the fun of the convention. They did resend the ad but added “with consent” in brackets to the end of the statement. So far, the only official response to this has been to accuse the Mary Sue of being inflammatory and making false statements. As the convention just happened, I expect more news to be coming out about this story, in the coming weeks.
While this was going on, another issue occurred with the Capital City Comic Con in Austin Texas. The convention, which is going to be held this upcoming July, put out several fliers; one of these was a close up of Power Girl’s Breasts with the tag line “Everything is BIGGER in Austin.” When a commenter complained about this on the convention’s Facebook page, the convention replied that the flier was all in fun and questioned if the commenter had ever been to a convention. A couple of days, later the convention responded to the issue as it started going viral. They stated that both the staffer who made the comment and the designer of the flier were no longer with the con staff, and apologized to the fans for what had happened.
Standing in contrast to this is Emerald City Comicon. The same week the two issues above were occurring, ECCC posted an image of the anti-harassment posters that will be going up around their own convention. The title of the posters is “Cosplay is not consent, and it goes on to detail the convention’s anti-harassment policy, including who to go to if you are harassed and the penalties you face if you violate the policy.
The contrast in the above examples illustrates where we stand in geek culture, in regards to dealing with the issues of harassment and making events safe and inclusive.
On one hand, you have people who have not matured in how they deal with these issues but find themselves running conventions. They want to grab people’s attention and fall back on the old adage “sex sells.” Unfortunately, they do not consider the broader message of what they are putting out, nor how it can ultimately promote a hostile environment. It is not from a place of malice, but ignorance. The best way to handle it is to do what was done above and call them out. Make it clear that even if they don’t see the harm in it, harm is still there. The ones that are receptive to the message will thrive, and the ones that aren’t will find their reputation falter and their event suffer. The ones that take steps to make sure their events are promoted as a safe and inclusive space will find more people wanting to go, and can use it as a means to actually promote their event. With all the concerns about hostility in the convention scene, the ones that make sure you know they will do everything in their power to make sure you are safe will be the ones that ultimately thrive.
In the shadow of events like Aki Con, (where we saw the worst case scenario play out),and other ongoing tales of harassment, this is going to continue to be a hot button issue. I think this year is going to be very interesting in this regard, and I for one am interested to see how conventions actually play out.
I’ll keep an eye on things, and let you know what comes from this.
Midnight Ballad for Ghost Theater is a 2006 Korean film that is very hard to categorize. Let’s call it a musical comedy that utilizes horror themes.
It is hard to find, as it has never had an official American release; however, it is possible to order a copy from Korea.
The plot revolves around Seong Sodan (played by Kkobbi Kim), a teen age girl who lives with her Grandmother. One night her grandmother leaves the house, saying she is going to the theater to watch a movie she starred in when she was Sodan’s age. Sodan tracks down the theater to find her grandmother, but no one has seen her. Interrupting a suicide attempt by the theater manager (played by Chun Ho-jin), she is given a job as ticket seller, where she hopes that eventually her grandmother will show up.
It turns out that the theater is haunted by the ghosts of the rest of the theater troop who made the film with Sodan’s grandmother. They are doomed to haunt the theater until they can see that film, (“Minosoo: The Bull-headed Man”) once again.
At first frightened of the ghosts, Sodan befriends them and they help her come out of her shell. She, in turn, tries to find out what happened to the film, both to help her new friends and hopefully to find her grandmother. All the while, the theater manager tries to dissuade her (between his botched suicide attempts), saying that finding the film will lead to tragedy.
If I had to sum up this movie in one word, it would be charming.
The overall feel of the film has a clear Tim Burton-esque feel to it, mainly of his earlier films like BeetleJuice. There is a sense of “what the hell am I watching”, while still enjoying the ghost’s antics.
The characters of the ghosts themselves are immediately engaging. First we have Elisa (played by Joon-myeon Park), who claims to be a Joseon Dynasty Princess. She is loud, bossy, and often threatens to execute the others.
Next is Hiroshi (played by Jo Hie-Bong), a Japanese solider who was stationed in Korea where he fell in love. All of his dialogue is in Japanese, but he can understand Korean, and still be understood by the other ghosts.
Wanda (played by Ae-Ri Han) is a former Kisaeng (similar to a Geisha), who fell out of favor after giving birth to a client’s child. She is bulimic and obsessively counts her hair.
Finally you have Mosquito (played by Yeong-su Park), who is made-up like a demented Harlequin (or let’s be honest, the Crow). Of all the ghosts, he is the only one who is given no back story.
The theater manager is clearly involved with the ghosts’ story, and as Sodan unravels the mystery of the missing film, she learns more of what that is.
All the back story of the ghosts, the manager, and the film itself are done though song. And those songs can be very catchy, even for someone who does not speak Korean.
If you are looking for deep character analysis, Midnight Ballad for Ghost Theater is not the movie you want. It is a light hearted romp, with no real concern for character development.
I give Midnight Ballad for Ghost Theater a B-. It is appealing, and fans of films like BeetleJuice or The Rocky Horror Picture Show will enjoy it and possibly want to own it. Non-fans will likely be left lukewarm by its surreal nature and lack of character depth.