About Caliban

I'm a long time fan of science fiction, fantasy, comic books, gaming and the like. Also a former Employee of Wizards of the Coast, and one of the founding members of the Camarilla Fan organization. Follow me on Twitter @caliban1227.

Universal Studios VIP Tour Review

universal_studios_hollywood_001For our recent honeymoon trip, my wife gave me an extra surprise. Our honeymoon took us to Disneyland for what we named The Epic Disneyland Honeymoon. And it was epic, especially since we were there right at the beginning of their Christmas season programing. But this was not the surprise she had for me. No, the surprise was a special VIP tour of Universal Studios.

I had been to Universal Studios Hollywood several times, and even been to Orlando once; these trips were done as the normal entry in the park that everyone takes, with the rides and the famous tram tour of the back lot. But this was different, this was the Universal Studios Hollywood VIP Experience. It cost nearly $300.00 per person special ticket. It is red carpet treatment and makes you feel like a big shot.

If you have followed this site for a while, it will be no surprise that I am a huge Universal fan. My favorite movie of all time is Universal’s Casablanca, and my love of Universal Horror is well documented. Of course the woman I married is well aware of this love of all things Universal. Thanks to this, she felt it was worth the money to make sure that our Honeymoon would have an event that would have special meaning for me. If you share this love of Universal, or really just movies in general, it is something you may want to consider sometime.

Hollywoodsign

 

Now when I say ‘surprise’ I want to be clear that I knew about it before we got on the airplane; she didn’t just spring it on me that morning, which is a good thing because we needed an early start. Staying at the Disneyland Hotel meant we needed a rental car, and fortunately Downtown Disney has a car rental place onsite. This was important because the VIP tour has a specific start time, which meant that taking the shuttle was not optional. We got an early enough start that, even with Los Angeles traffic, we got there with 20 minutes to spare. Basically, you need to be there prior to park opening.

Valet parking was part of the package, and once we were parked we made our way through the Universal Citywalk to the Front Entrance of the park, checking in at the special VIP entrance to the park. The tour is not something you can just sign up for on the spur of the moment; with limited space each day, you must reserve your space in advance.  At check-in were given our special VIP badges, and then we were taken into the not-yet-opened park and escorted to the VIP lounge. Walking through a theme park, which you have visited several times, before it is opened is a very surreal experience; it was really the perfect start to a day full of surreal experiences.

The VIP Lounge is a somewhat non-descript building in the middle of the upper level of the park. It is like a small but very nice restaurant. We were greeted at the door and escorted to the patio where pastries, fruit, and drinks were available. There were two tour groups on the patio, each group consisting of 12 people. We were told our tour guide’s name was Matthew and that he would come to collect us soon. The first group left a few minutes before Matthew came to collect us. He was a 20 year veteran of Universal Studios, having worked both in the park and on some extra gigs around the studios. He was a great host, which I assume is a job requirement for leading the VIP tour;  it was clear that he knew everyone in the park, and had developed relationships with them.

The first part of the tour consisted of going on the rides. As a VIP tour we did not go through the regular entrances; instead Matthew would take us through side entrances and to the front of the line for every ride. He also told us that, after the tour was done, our badges would still get us front of the line access. We started on the Simpsons ride, on the upper level. From there we went to the lower level for the Mummy and Transformer rides. Jurassic Park was closed that day for maintenance. From there it was back up top to the Terminator 2 3D show (this attraction was really showing its age). Matthew told us that it was the last month of the show before it would be closed down and replaced with a Despicable Me attraction. He then took us back to the VIP lounge for a gourmet lunch buffet (which was delicious). After lunch, we went through the Universal House of Horrors attraction, their year round haunted house.

Next was the center piece of the whole tour: the back lot tram ride. The normal tram tour is done in a large multi-car tram that holds an enormous number of people; since our tour group was only 12 people, obviously we would not need that. Instead we got on a small tram that reminded me of a trolley.  For the most part, the tram tour was the same as the normal one, going through the backlot, discussing Universal’s history, and having staged events like a flash flood or the encounter with King Kong. But there was more to it; the normal Tram tour is around 45 minutes, whereas ours was over 2 hours. That extra time was spent doing things that made the whole trip worthwhile. Some of it was simple; since our tram was small, we were able to go places the big trams couldn’t. So we got to see where the sound stages for a lot of shows were. We passed by the CSI sets, which had their doors open a bit, although all we could see were the backs of sets. Right after that was the first thing that made the VIP tour stand out: our tram pulled up to a sound stage and stopped, Matthew had us get out of the tram and check in with a security guard after which we were taken into the sound stage. It was the set for a TV show called Parenthood, specifically a house set. I’ll be honest I have never watched this show, but that didn’t matter, this was a working TV set and we were being allowed to go in and see how it was set up and what they do to shoot the show there. Matthew went over various technical details of the set, describing how things are constructed in order to film the series, including the lack of a ceiling on the house to make room for lighting, the trees outside on wheels and the backdrop. I found myself focusing on details, like the books on the shelves. From there it was more tram tour, including the city street sets. We got lucky, and in the distance we could see a scene for CSI being filmed, my wife was very excited when she spotted Ted Danson on the set.

The next special treat was another stop. We parked outside of a very non-descript building and took an elevator to the top floor. This building held the Universal Wardrobe and Props departments; each of these departments is the biggest, of their kind, in Hollywood. Matthew pointed out that anyone can rent from them, even members of the public. The building was really just a normal warehouse with some offices. It was not glitzy, until you paid attention to what was stored there. When Universal makes a costume for a movie or TV show, they take it back when they are done and add it to their wardrobe inventory for rental. An example is that the battle armor from Starship Troopers was reused for the show Firefly. There were racks of clothes of all types. One row was ball gowns, another was chainmail, both fake and real, yet another was a whole row of Santa Claus outfits.  At one point we stopped while Matthew checked to see if we could go into the next room; the costumes we stopped by were from Hellboy 2, and my inner fanboy rejoiced.

Hellboy2costume

 

Down one floor was the props department, which is really just one big warehouse. At first glance it would not seem terribly exciting, unless you really paid attention. The first thing we saw was an aisle of nothing but lamps, but right next to it was a rack of disco balls, then a row of telephones arranged by date (oldest to newest),  followed by a row of body parts. Matthew explained that prop masters from different productions would come in with slips containing details about the production company, and the dates various props were needed; they would go through the department and if they came to something they needed they would tag it, marking it as reserved for them, and the department would record who was taking what. The production company would be responsible for collecting the props they needed on check-out day. During our visit, several people were loading carts with props. Some of the props were just for display, as they were too iconic for use in other productions, such as the dagger from the Shadow.

While we weren’t supposed to touch anything, Matthew did take us to one spot where we could. These were demo props for the tour, designed to look dangerous but be safe (for example, a foam frying pan painted to look real that he let my wife whack me over the head with). We also got to play with breakaway glass. Going down a couple of flights of stairs (and I assume skipping a couple of floors of props) we were at ground level where they have larger props like furniture, statues, phone booths, and a giant shopping cart from Jackass.

UScart

 

Back on the tram, we passed the Jaws set, the Bates Motel with an actor playing Norman, and the Bates House. Beyond the Bates House was the crashed airplane set from Steven Spielberg’s War of the Worlds. The Tram stopped here and we were let out again; we were allowed to walk around the crash set, take pictures, and even touch some stuff. (Interesting note – the Station 2 set from Jurassic Park is hidden behind the crash set.)  After that it was back on the Tram to finish up that tour.

Returning to the park proper, we went to the special effects show where we had VIP seating. After that, we were taken to the Water World Stunt Show where, again, we had VIP seating. It was here that Matthew said goodbye, as this was the end of the tour. After the Stunt Show we had one last treat, a Q & A with a pair of the stunt performers.

And with that, we had about 20 minutes left for shopping before the park closed.

So I would definitely recommend this. The first part is fun, if you are a theme park fan. The second half is an absolute blast if you are a film or TV fan, especially if you have an interest in how things work behind the scenes. The food in the gourmet lunch is excellent, and the tour guide and all the staff went out of their way to make sure we felt special. At times it felt more like a friend sneaking us in the back entrance than going into a priority line, and I mean that in the best ways.

If you have a chance to go to Universal Studios and you can afford it, I would highly recommend getting the VIP package.

I give the Universal Studios Hollywood VIP Experience an A+

Saving Lois Lane

Lois Lane.

Everyone recognizes that name.  She is not just a geek icon, she is a cultural icon. You go up to any random person on the street and they recognize her name. Everyone knows she is the plucky reporter that is also Superman’s love interest.  Everyone knows that she and Clark Kent belong together.

Yes in the early days of comics she was often there so that Superman had someone to rescue, but as the medium evolved so did she. In modern lore she is a strong independent woman who is able to meet Clark as an equal and partner. She is also strong enough to give him support when the going got tough, and act as his anchor to humanity.

Well at least she was. All of the above was true until last year when DC Comics relaunched their universe with the New 52.

Now Lois Lane is barely in the books anymore, and her relationship with Clark is not a partnership of any kind. In fact she is not even a reporter anymore, she has been bumped up to a TV Producer at a news network.  And her journalistic ethics, which have always been a core of the character, have been eroded.

As for the romantic front, early issues in the reboot showed that Clark had feelings for her, but that not only did she not return those feelings, she was not aware of them. Also she has a boyfriend. He has only appeared in about five panels but he exists.

As one of the most recognizable characters in comics, and the most recognizable character in the Superman franchise outside of Clark himself it seems odd that she has not appeared on a single comic book cover since the relaunch.

So what is going on? Why is one of the core characters of one of the world’s most famous franchises being pushed aside and minimalized?

A lot of speculation about that has been going on, but the consensus comes down to this; DC wants to push Superman and Wonder Woman as a couple.

I know I went over this back in August when I was going over the news of the Superman/Wonder Woman pairing and how it felt forced. What I have learned since is that this was apparently part of the plan from early on and to help facilitate this, the feeling was that Lois needed to be diminished so that she would not appear to be in the way of this relationship.

DC also seems to be getting desperate in their attempts to promote the Superman/ Wonder Woman coupling. In the last few weeks it has been the focus of many polls and features on the DC comics’ blog and Facebook page. It is beginning to have the feel of “You will like this if we have to ram it down your throat.”

This part is just speculation. It is hard to say how long the Superman/Wonder woman relationship was being planned. It still feels like an executive mandate, and in the last few months DC has been known to change plans suddenly requiring rushed updates of issues.

But the diminishing of Lois does appear to be a thing either way.

But how sure are we of this. DC has said nothing explicit on any of this. This is where a bit of good old fashion fanboy detective work comes in.

First we have to look at the comments from the creative staff. The ones that I think back up the point the hardest to this are comments that have been made by Superman group editor Matt Idelson.

Back at San Diego Comic Con in 2011, when the relaunch details were being announced, Idelson referred to Lois as Superman’s “trophy wife” when explaining that the marriage between that two was no longer part of continuity.

Last August he made an even more definite statement on his opinion of Clark and Lois as a couple.

“Clark and Lois are not inevitable, and in fact it isn’t going to happen, at least while I’m on watch duty!”

He later had to walk those comments back; I’m sure due to fan backlash.

“Clark most definitely has feelings for Lois, but he not only sees her as unattainable but also unavailable. I’d much rather see the readers pining for them to couple up, with growing intensity, until we have no choice but make that magic moment happen. And in truth, I engaged in some ill-advised hyperbole there when I said they wouldn’t get together on my watch. I miss them as a couple, I really do, but I also know that good drama comes from complicating the path that leads to the happily forever after ending. My hope is that ultimately, we’ll all look back twenty years from now and see that without Lois in his life, that human representation is something he had to grow towards, and that the absence of Lois in his romantic life held him back.”

Idelson while the highest ranking member of the creative staff to comment, was hardly the only one.

Artist Rags Morales stated that Superman sucked since he got married and he considered it jumping the shark. He also said that Lois worked better as a Damsel in Distress and a pain in the ass.

Publisher Jim Lee had compared the phasing out of Lois as no different than changing the size of Superman’s cape.

Writer Andy Diggle has stated on twitter that he feels Wonder Woman and Superman make a better couple than Lois and Clark.

Also if you look at any promotional material and you will not find any mention of Lois.

And just for comparison let’s take a quick look at another long time supporting character, Jimmy Olsen. Jimmy is still fairly active in the books; in fact right now he and Clark are roommates. I won’t go into details why, but it does allow for some fun keeping the identity secret scenes. So Jimmy is in the books about as much as he used to be.

So it seems clear that reducing her role was always the plan. They couldn’t just make her go away like Wally West or Stephanie Brown, so they did the next best thing and made her a side character.

This brings up an interesting issue for next year. The new Superman movie Man of Steel is coming out. Lois Lane will be featured in it, played by Amy Adams. I assume she will be in her traditional role in this movie. For a company so interested in synergy between its divisions I am curious how Warner Bros will address this and in turn how the comics will deal with it.

In the meantime as a fan I am not pleased with these developments. Lois was a great character because she could be strong and brave in a superhero world even though she did not have superpowers. I feel her downsizing is taking away another role model character and not helping in the perceived boys club mentality of the industry overall. As a fan I want to do what I can to let DC know we do not want to lose her or see her as just a shadow of her former self.

So here is what I purpose. I would like to see a hashtag start making the rounds on twitter and tumblr; #savelois. If it can start trending maybe it will get enough attention that DC will know she has fans that are not happy with her current treatment.

So let’s see what we can do.

Creative Expression in Fandom

It should go without saying that fandom and geek culture produces a lot of passion. Lately I have been writing about the down side of that passion. While I think it is important to bring those subjects to light, I do not want to lose sight of what it is I and so many others love that brings us together.

So I thought I would talk a bit about the artistic side of being in geek culture.

When you go to a fandom event one thing you will find is that at their heart they are a celebration of some form of art. Be it comic books, film, animation, or literature, they all are based on a form of creative output. And this will carry over to the fans themselves. So let’s take a look at the ways fans will find to express their creative side.

Before I go on I want to make one thing clear: this is more of an overview look at these different creative areas. Each one could support an entire article of its own. In fact I could very possibly do those articles in the future. I am just doing this an overall celebration of creativeness in our community and hopefully as a jumping off point for discussion.

Ok, with that out of the way here we go.

At many conventions there will be an art show, where people will display artwork they have created, usually a painting, often for sale, or as part of a charity auction. Now this art is usually geared towards the specific theme of the event, but not always. Some of it will be what is known as fan art, a piece that is based on an already existing property. Star Trek and Star Wars for years were the dominate fandoms for this, but today it could be anything that has any kind of fandom. While it is easy for some people to dismiss this kind of art since the artist is basing it on something someone else already created, that ignores the time, effort, skill, and passion that go into its creation.  Many successful artists got their start this way.

Fanfiction is another creative activity that is prevalent in the fan community. I know that it gets a lot of flak for the slashfic aspect of it, which for the uninitiated among you is where a story will focus on a romantic pairing, rarely one that appears in canon, and often homosexual in nature. Now a lot of people think Fanfiction is something born of the internet, however writing stories about a favorite character or franchise is a long standing practice. There were published Sherlock Holmes stories at the same time Arthur Conan Doyle was writing.  As for directly fandom based fanfiction, there were homemade zines about Star Trek as in the 70s. Like with the artists there are cases of fanfiction writers making the transition into published authors, and I am not just referencing 50 Shades of Grey. One year at San Diego Comic Con I heard Denny O’Neil say that he gave Devin Grayson a shot at writing for him based on her batman fanfiction.

A variation of fanfiction is the fan film. This is one area where thanks to technical advancements it is no longer the realm of the really passionate fans that can get the resources together to make a film. Now with digital recording, editing programs and the means of online distribution whole groups of fans can get together to make films. I would break fan films down to two categories. The first is the film based on a franchise. There are groups that are dedicated to making fan films based on Star Trek, Star Wars, and Firefly.  The other type is the film based on a geek friendly premise, such as Gamers: Dorkness Rising, or the Collectibles.  The advantage of the second type is that it is something the creators can generate income from. The first type on the other hand is something that gets made because the people involved love the franchise, love making films, and want to combine them. I will admit this one is near to my heart as I was involved with a group of fan film makers and made films based on Star Trek, Doctor Who and Mystery Science Theater 3000.

The one creative area of fandom that has gotten a lot of attention lately is cosplay.  I sometimes think the creative side of this gets lost in all the discussion of how sexy someone is or if the costume was appropriate for the convention. Again cosplayers tend to take two forms. The first is the person who looks at a fan event as a chance to dress up and comes in a costume that was purchased elsewhere. Usually this is a store bought Halloween costume. The second type is the person who takes the time to research the character they are making a costume of, find or make patterns for the costume and then take the time to make the costume. Technically there is a third type, a person whose costume is made for them by someone else, but I tend to think of them as just a variant of the second type.

It should come as no surprise that there are people who are of the type two cosplayers that look down on type one as poseurs. I am of the opinion that if someone wants to dress up as a character and the only way they can do so is to buy from a costume shop, than more power to them.

Getting back to cosplay as art, just go out and look up cosplay and look at all the variations you will see. Sure you will have the faithful reproduction of a Wonder Woman costume, but you will also have steampunk Wonder Woman, Victorian Wonder Woman, or as I saw once, a hybrid Wonder Woman/Slave Girl Leia.

Despite the flak that cosplaying is getting lately, it’s creativity has always been appreciated at conventions through the costume contests. These are often a highlight of most conventions. And again people who are really good at it can go pro. Here in the Seattle area there was a costumer named Dragon Dronet, who use to do elaborate costumes with impressive props. Based on his work at conventions he ended up working in Hollywood and is now a respected Prop maker, having worked on various Star Trek shows, Batman Returns, Alien Nation, and even casting puppets for Jeff Dunham.

I would be remiss if I did not take some time to talk about filking. Filking, or filk music, is basically fandom folk music. While it has never been my cup of tea, it has a huge following. And by huge I mean that there are whole conventions devoted to filking. A filk song can either be a parody of a known song with a fannish twist, or an original composition.

A form of creative that often gets overlooked in fandom is crafting. This is just making things with a geeky slant. You see them in most convention dealer rooms, next to the book stores, and video vendors. These are the people who are selling things they have made themselves. And it can be so many different things. Jeweler, costume pieces and accessories, ceramics, t-shirts, art prints. My wife is part of this, she makes soaps shaped like gaming dice, gelatinous cubes (complete with finger puppet monsters inside), and gems.  I have also seen perfumers, corset makers, and fitted fang makers. Obviously crafters who are vending at a convention are hoping to make a profit and even a living from their work, but this does not take away from their creativity.

The last type of creativity is one that is so close to me that I almost overlooked it for this article. It is the one I practice myself. It’s the people who blog, or make podcasts, or online videos about geek culture. Sure there is an argument that it really isn’t that creative as we are just commenting on what is out there, or reviewing geek friendly media. However it still takes time and effort to put these things together and like all of the above it comes out of a love of the culture and wanting to find ways to participate in it. Again some people are able to take this to the limit and go pro, just look at Chris Hardwick.

One thing I have heard a lot is people saying “I wish I could do that, but I’m not good enough”, to which I so “so what”?

Honestly, I think people should at least give something they want to do a shot.

When I started Fanboy News Network it was out of a need for expression. I had spent some time away from the convention scene and had been working on Community Theatrical productions, mostly behind the scenes. Those productions were great, but I realized that I was missing something, my own voice. I decided to start writing as a creative outlet, and using the old saying “write what you know” decided to focus on geek culture. And let’s face it, there are a lot better writers out there covering the same things I do. But I do not let that stop me. I am doing this because I want to, and I want to get good at it. The only way to do that is to actually write.

In the year and a half I have been writing Fanboy News Network I have learned a lot. I have learned what many of my writing habits, both good and bad, are and am working to improve. I have been able to find a writing voice. I have also joined a writers group, and I am now working on projects not directly related to the site.

So if you want to try any of these things, go for it. Just do not be put off by the idea that you may stumble, or even fail at first. This is part of the learning process.

And go out and try to find other people who share your particular interest. You may find mentors or at least a support network. At worst you’ll make some new friends.

And never forget there is an aspiring writer in Seattle that is pulling for you.

Another Wonder Woman Pilot

Here we go again with another Wonder Woman pilot.

CW, being a subsidiary of Warner Bros. has a long track record of bringing DC comics’ properties to the TV, or at least trying to. Obviously they had the 10 year run of Smallville and the 13 episode long Birds of Prey series. They produced a pilot for an Aquaman series. There were proposals for a show about teen titian member Raven and about the Grayson family before Dick became Robin that never got past the proposal stage. And of course you have the current series Arrow.

I’ll be honest, I am really apprehensive about the announced Wonder Woman pilot. It shares several traits from the other shows and pitches mentioned above that I think are not workable. On the other hand I had doubts about Arrow too and I have ended up liking that series.

Basically CW has some habits when it comes to DC shows that I am convinced are just there to annoy long time comic fans.

The first is that they seem to think that the best way to go is with a series that functions as a prequel to the comics, with Arrow and Birds of Prey being the exceptions. This started with the original pitch they made over a decade ago, a series that was going to be titled Bruce Wayne, detailing Bruce’s life between his return to Gotham City at 18 and becoming Batman. The reason the series did not get past script stage was that the WB movie division also wanted to explore Bruce’s development into Batman, which ultimately resulted in Batman Begins. On that point let’s go ahead and say that this turned out for the best.

So when Bruce Wayne was shut down they turned around and created Smallville. And as I have said before, at first this was not bad, but it went on too long and stretched the premise beyond the breaking point.

The Aquaman pilot used the exact same idea, only with Arthur Curry. I remember liking it when I first saw it, but in retrospect I think it would have ended up a weak premise for the same reasons that Smallville did not work long term.

The Graysons was just baffling as a pitch. Following Robin’s family and their adventures prior to their murder and Dick’s being taken in by Bruce. This would basically be a series where we know that it will end with the murder of the main characters. Also if we go with the general idea that Dick becomes Robin around 13 than the age you have him at the beginning of the series would set the lifespan of the show. All this of course assumes you intend to remain faithful to the comics, which Smallville showed was not necessarily going to happen.

We now add Wonder Woman to that list, as the pitch is literally the same as Smallville, but with Diana coming to America and I guess learning what it means to be a hero.

Another issue with DC shows on the CW is the names. I think the only show that got to keep its title from the comic was Birds of Prey. Besides Smallville and Bruce Wayne, You had the Aquaman show being called Mercy Reef, Green Arrow became Arrow, and now Wonder Woman’s show will be called Amazon. I assume this is a marketing issue with the film division in case they want to develop a movie using the characters, but it does seem like they are running from the franchises they want to develop.

So here is my main issue with the new stab at a Wonder Woman series. They are using a format that fans are going to be apprehensive about. The whole “Diana before she was Wonder Woman” is at best only sustainable short term. If they are going that route I hope they do not take the “no flight, no tights” mandate that ultimately hamstrung Smallville.

I think if they are going to do this they make it the arc for the first season, with the finale having her become Wonder Woman. From second season on have it be like Arrow, the beginnings of her career.

Do I see that happening? No I do not. I’m afraid they will get locked down into the prequel mode like Smallville and the problems that it brings.

On the other hand if they manage to stay true to the characters roots and persona maybe it will be worthwhile, or at least wipe out the bad taste left by the last Wonder Woman Pilot.

Two things I want to address real quick before I wrap up.

First, the whole Iris thing, where a casting sheet was released stating that the character’s name is Iris along with other back story alterations. This is a not uncommon practice when casting for a very well-known character. It is done in hopes of getting an audition that is not just an attempt to fill the preconceived notions about the character. Rest assured her name will be Diana in the series as has been confirmed by Geoff Johns.

The other is the Justice League movie. Obviously it is being developed and there is a general assumption that Wonder Woman will be in it. How will that work? Good question, and there are a lot of ways to do it. One is they just assume that audiences can deal with two different version of the character at once like when Superman Returns came out during Smallville’s run. Another is that they do not include Wonder Woman in the Justice League movie. This all of course assumes that Amazon makes it past pilot stage.

So there we have it. Let’s hope that DC can give their most iconic female character the adaptation she deserves.

The Fake Nerd Girl Myth.

Here we go again.

While I was off enjoying my honeymoon, the whole fake nerd girl issue roared back to life with a vengeance. This is not to say that it ever went away, but the day I flew out to Disneyland to build some memories to last a lifetime with my wife, veteran comic book artist Tony Harris decided to let loose on the subject.

I’m not going to quote him verbatim, if you want to read exactly what he said go here. What I took from his rant is this: women who cos-play at conventions are just attention whores with no love and appreciation of geek culture and should just accept that their sole purpose is to be lusted after and it is their fault if men act badly around them.

I feel dirty even writing that previous paragraph.

Tony Harris is one of the best artists working in comics today. As an artist I am always going to be a fan of his work. However, after reading his rant it is clear that he has some issues that clearly need to be addressed. And he is not alone, not by a longshot.  It has been going on long enough to spawn a meme and to have become a catchphrase.

What the hell? How did this happen?

It’s a complex question and a lot of people have been discussing this for a while now. As a simple male geek who loves his subculture while at times wanting to throttle it, I will now give my two cents worth.

To start with we have to understand the idea of gatekeeper behavior. This is where someone in a particular social group decides it’s up to them to protect the group by determining what is and isn’t appropriate for that group and attempting to purge that which they deem inappropriate. Pick any type of group that a person could be in, political, religious, social, or professional and you will find people who act as gatekeepers for that group.

By their very nature a gatekeeper is going to be a conservative member of that community as they want to keep it pure.

Now how do we apply this to geek culture?  You have to remember that as we have said before the various subsets that make up geek culture have traditionally been male dominated industries that cater to a male dominate fan base. But smart business owners know that it is good to expand your consumer base and the best way to do that is to appeal to as broad a market as possible. For a male dominated market this means trying to bring in the rest of the human race, in other words females.

While this seems simple on the surface, there is a catch. That catch is that while someone new may enjoy something, they way they enjoy it may be different than how you do.

I think I need to illustrate that last point.

My sister and I, despite both being very geeky, are very different in how we approach it. Both of us love Horror, Disney, and roleplaying. However she is not a comic book fan and I am not into fanfiction. This is not to say that either of us hasn’t read comics or fanfiction, but there are subcultures to both and those are ones that she and I do not share.

So when the Avengers movie came out, as I comics fan I was stoked. What I was not aware of was that the fanfiction community also embraced it. Due to this my sister is now a huge Avengers fan, She loves the movie just as much as I do, but for different reasons. She will never know who D-man and Rage are, and I will never get Tony Stark and Steve Rodgers as a married couple.

Now a gatekeeper is going to say that she is wrong. She needs to appreciate the Avengers for its appeal to the comic fans and that legacy and enjoying stories about Tony and Steve adopting Peter Parker is wrong and should be shunned.

So this is where we have the origin of the issue. Maybe that Cos-player dressing as the Black Widow was inspired by the movie. Her interest is in putting together the costume and after all that hard work she wants to show it off. The best place to do that is at a convention. Does this mean she knows the entire backstory of the character? Who knows? The point is that this is how she has chosen to enjoy the culture. This is fine, and she should be allowed to do so. However the gatekeepers go into hyperventilation. This is the root of the fake nerd girl. The claim that she is a trespasser in our community that needs to be put in her place.

Another part of Harris’ rant was that ok, you have chosen to be here dressed like that, accept that you are going to be treated as an object, not a person.

No, just no. this is not even a little ok. In fact go back and read my article on misogyny in geek culture. Or any article on this subject.

So basically what we have an issue where people are feeling threaten because other people are doing things differently.

And if you scratch beneath the surface you will find it is not just the fake nerd girl meme at play here. I have heard from a friend that right after Harris posted. He had friends of his say that they hate it when people are at an anime convention and their cos-play is not anime specific, and how they want those people banned. I have also heard of a steampunk convention where a member of the convention committee went through the dealer’s hall and kicked out any dealers who they felt did not have merchandise that was “steampunk” enough.

And the worst part is that for every idiot who spews this nonsense, they will have people backing them up. If you read the comments from Harris’ post a lot of people thanked him.

That right there is why I am writing this and why others need to keep at it. We have to point out that this behavior is not right and cannot be condoned. And right now we really need to keep at it as this meme has got legs. This next image is from an ad you can find in DC comic books.

Yes, this got approved by an editor somewhere.

I’m sure I will be writing more about this in the future. In the meantime please keep this issue in mind and let’s do what we can to combat it.

 

Why am I a Disneyland Fan?

The day this article is being published on the site, my wife and I will be on our long awaited honeymoon at Disneyland.

Yes, we are taking our honeymoon at Disneyland. It was actually a very short conversation, taking all of 30 seconds. Trust me this is one of the things that told me I married the right person.

I will readily admit that Disneyland is definitely one of the things I am a geek for.

So in honor of the fact that I am taking what we are calling the Epic Disneyland Honeymoon, I wanted to take this week’s article and talk about my relationship to the park.

I only visited Disneyland once as a child. I was 6 and we were visiting relatives that lived in California. It was a one day trip and while it was only the one day it left an impression. Strangely my major memories from that are about an encounter with Chip and Dale, and the Pirates of the Caribbean.

It would be twenty years later that when I finally returned to the Happiest Place on Earth. I was working for WotC and had been sent to a convention that was being held at the Anaheim Convention Center. Disneyland was right down the street and I was determined to go. Fortunately the convention center was selling passes to the park and had a shuttle service.  And with that I started a new geek that would be with me from then on.

I’ve been several times since. I have seen every configuration of Pirates of the Caribbean, and as of this trip I will have seen every configuration of the Haunted Mansion. I have read up on the park and know the location of most of the park’s Easter eggs and special features.

I once told my Brother-in-Law that we had to go on It’s a Small World because we would be pardoned of all our sins due to having suffered enough. He mocked me. He then cursed me out after the ride for not giving him sufficient warning about it. My sister wants to move into the Haunted Mansion. I am convinced that Toon Town is my true homeland.

I know a lot of people have the reaction of “why go to Disneyland if you don’t have kids.” I do not understand these people. Disneyland is enjoyable by everyone. It is an environment that allows you to leave cares behind and have fun. The sign over the entrance says it best. “Here you leave today and enter the world of yesterday, tomorrow, and fantasy.”

Disneyland is best enjoyed when you can abandon your cynicism and remember how to enjoy yourself like a child again.

And a lot of people embrace this concept. There are groups that hold unofficial gatherings at Disneyland for this reason. The Toy Soldiers, fans of Doctor Steel, who is a musician who stylizes himself as a mad scientist, gather every March 4 for Toy Soldier day.  There is also Bats Day, where members of the Goth community and related subcultures gather in the park.

Disneyland is a cultural touchstone for us, and has provided a lot for us in any subculture.

Next week, when I am back from the honeymoon, unless something else big has come up; I will be doing a follow up about the park experience.

Arrow Review

When I first heard that the CW was going to do a Green Arrow series, I was worried that it would be another “before they were a hero” concept like Smallville, as that seems to be their pitch for every DC comics based show.

Fortunately that is not the direction they went. However they still had to do something to drive me nuts. In this case it was calling the show Arrow, not Green Arrow, just Arrow.

Why?

Green Arrow is a character from the early forties. The general public may not be that familiar with him, but for the comic book fans he is a solid second tier character. Why mess with the iconic name.

And I have not been able to find an answer to this question anywhere. I would think they would offer some answer for the change, but no, nothing. The speculation is that due to the failure of the Green Lantern movie, the producers dropped the word green from the series title to avoid association. Also Greg Berlanti, one of the series co-creators, was a writer and producer on Green Lantern and I think that added to the need for distance.

So aside from the loss of the green how do I feel about the series?

Let’s take a look.

The premise of the series takes the basics of the comic book origin and uses it as a jumping off point. Oliver Queen, a rich socialite, is shipwrecked on an island for five years where he develops archery skills to survive. After being rescued from the island Queen comes home and becomes a Robin Hood themed crimefighter.

One of the series strengths is that it takes this basic story and filters it through the same sensibilities that fueled Nolen’s Batman trilogy.

Queen is now the son of a wealthy family. He is famous for being a rich party boy. While on a yacht trip with his father and his girlfriend’s sister, the yacht sinks and Oliver is the only survivor. Before dying his father confesses that he was corrupt and that he wants Oliver to survive, return home, and correct his mistakes by dealing with a list of other corrupt community leaders.

Using flashbacks the series fleshes out that Oliver was not alone on the island. It is clear that the skills he gained during the five years there were not self-taught.

Queen returns home, and lets people think he is returning to his party boy ways when really he is going after the people on his father’s list.

So how does the series work, both on it’s own and as an adaptation of Green Arrow.

As a series it works surprisingly well considering it is on the CW. The creators stated that they were using The Dark Knight trilogy as inspiration and it shows. The scripts are smart and there is at least a nod to practicality in how the heroics are presented.

One of the strengths is that the series does not make the mistake of having the characters act dumb in order to maintain their plot.

In the first three episodes Oliver has a body guard, John Diggle, thrust on him by his mother. In most other shows Diggle would have to be treated as a fool in order for Oliver to constantly ditch him and not have him figure out the truth. Here by the second episode Diggle knows something is up, and by the fourth Oliver has decided that he can trust Diggle and recruits him into the mission. This allows Diggle to be treated as a professional and for the show not to strain credibility with keeping Oliver’s secret. This is one of the mistakes that Smallville use to make and it is really good to see it avoided here.

Another good decision is to make sure that this is not a super powered world. Even the most extreme characters are just really well trained, but not superhuman.

The casting is also well done for the most part. This is a CW series so of course it is populated with a gaggle of pretty people, but it also has a better balance of non-model types. Also the type of people Oliver’s party boy lifestyle attracts makes this at least make sense.

Stephen Amell is well suited to play this version of Oliver Queen. He is athletic and in scenes where Oliver is doing parkour it appears that Amell is doing it himself. He also brings a good balance to scenes that flashback to old party boy Oliver vs. determined crimefighter Oliver.  There is also a bit of fan service with him, as not an episode goes by that he does not appear shirtless at least once.

Katie Cassidy as Laurel Lance does fairly well. She is certainly much improved over when she first showed up as a reoccurring character on Supernatural. She holds her own with Amell in their scenes together and there is certainly chemistry. The biggest issue with her character is that she is they want to portray her as able to handle herself in a fight, and she does not have the shape or presence to quite pull that off. As her character is based on the Black Canary this is going to be a sticking point for a lot of comic fans.

Paul Blackthorn as her father Detective Quentin Lance is probably the strongest actor of the cast, and his character provides some good tension. He is a good cop, but is angry at Oliver who he blames for his other daughter’s death.  The only downside is that Blackthorn is playing Lance much the same as he played Harry Dresden on the Dresden Files and so it can be a little distracting if you watched that series.

David Ramsey as John Diggle is the only one on the main cast whose character does not have roots in the comics. Earlier I described his situation with both how well his character is written and played. His story arch is still developing, with him now being partner and voice of reason to Oliver. It is going to be interesting to see where they take him.

Susanna Thompson plays Oliver’s mother Moira. She is playing an odd balance of the loving mother to Oliver and yet she is clearly at least partially responsible for the yacht wreak that sets the series in motion. Right now it is unclear how deep she is in with the bad guys and her character suffers from needing more development

Colin Donnell and Willa Holland have it even worse in the development territory. Donnell plays Tommy Merlyn, Oliver’s best friend who expects that now he is back the good old days are back too. There are hints that he suspects more, but he does not get a lot of chance to show that. In the comics Merlyn is a rival archer and one of Green Arrows main enemies. Hopefully as the series progresses he will get more development.

Holland plays Oliver’s sister Thea. Her role on the series is that of a reminder to Oliver of his shallow past as she is turning out the same way. Her nick name is Speedy and it appears she was based in part on the second Speedy to be Green Arrows sidekick in the comics. She really has very little to do other than pout and get lectures from Oliver.

So what we have now that we are five episodes into the series is a good, if slightly flawed superhero series. I feel there is a lot of potential here and it seems that they are going in the right direction.

I give Arrow a B-, but I will take a look at it again at the end of the season and see where we are then.

 

May the Mouse be with you

I’m pretty sure that if you are reading this site, than you have certainly already learned about Disney’s purchase of Lucasfilm. And I’m equally sure that you had all kinds of knee jerk reactions to it.

I’ll be honest; my first reaction to the story was “this has to be a hoax.”

After that it became; “what are the details of the deal”

So to be thorough, here is what I understand the deal to be. The Walt Disney Company has purchased Lucasfilm outright for $4.05 billion in cash and shares of Disney stock.  The result of deal means that Disney now owns all Lucasfilm properties and subsidiaries.

Let’s just take a moment to look at what that includes.

Film properties:

  • Star Wars
  • Indiana Jones
  • Willow
  • American Graffiti

Game Properties:

  • The Secret of Monkey Island
  • Grim Fandango
  • Maniac Mansion
  • Afterlife
  • Loom

Subsidiaries:

  • Industrial Light & Magic
  • Skywalker Sound
  • LucasArts
  • Lucasfilm Animation

Disney has been clear that their primary interest in this deal is the Star Wars property, but let’s faces it Indiana Jones is not small potatoes. Also they now have the Secret of Monkey Island, a game that was inspired in part by the Pirates of the Caribbean ride, which turned around and inspired the Pirates of the Caribbean movie. Who doesn’t want to see Guybrush Threepwood meet Jack Sparrow?

Of course all of this has led to the inevitable fannish reaction. “Oh God, Disney has bought Star Wars, they are going to water it down and make it suck.”

 

Yeah, about that.

 

I heard the same thing a few years ago. Only it was “Oh God, Disney has bought Marvel, they are going to water it down and make it suck.”

And what was the result of that deal. Well we saw it back in May, it was called The Avengers.

Look, not everything Disney does is watered down family fare. They own Pixar and people are disappointed if one of their movies is only really good. They produce Once Upon a Time on ABC which is good subversion of their own fairy tale properties. Disney does not buy up properties and then just “disneyify” them

In fact this is probably the best news we can get as Star Wars fans.

The lament since the prequels came out is that Lucas, while the visionary who created the universe, is not necessarily the best person to Shepard it. Well now he is just in a consultant role, and other people will be developing the next movies. And we are getting the next movies. Part of this deal is the confirmation that the next trilogy is going to happen, which was not the case prior to it.

Another possibility that a lot of people are excited about is the idea that Disney will give us what we have been asking to have for years now, the original trilogy rereleased in its original theatrically form. This means we may finally see Han shoot first in blue-ray.

Not that there isn’t problems. 20th Century Fox owns the distribution rights to the entire film franchise until 2020, and for the original Star Wars the hold the rights forever. But all that means is that there is a deal to be made. Disney has had similar issues with Paramount over the Marvel movies and made it work.

Another reason this should not be so shocking is that there is already so much integration between Disney and Lucas. If you go to Disneyland or Walt Disney World there are rides for both Star Wars and Indiana Jones.  There is also a live audience interaction show called the Jedi Academy. On top of that there is plenty of merchandise for both franchises in the parks. So this means that Disney does not need to worry about renewing those licenses any more.

So I say let’s all chill out, take a deep breath, and see where this new turn of events takes us.

 

(Note to self, write article about fan rage)

 

(Yes I meant that note to be public)

 

 

The Truth about Samhain

As we enter the final stretch of the Halloween season we now turn our eyes to the origin of the holiday, Samhain. And since this is Fanboy News Network I am going to tie it back in with geek culture by the end.

Before I even get into what Samhain is/was/isn’t/whatever I want to tackle one of the trickiest subjects of all, how to pronounce it. You see Samhain is a Gaelic word and so its pronunciation has nothing to do with how our eyes accustomed to modern English see it. When you look at it I am sure that you assume it is pronounced Sam (as in the common first name) hane (rhyming with bane). And you would be wrong. In fact it is pronounced Sow (like the pig) in (as opposed to out).

We will get back to fun with pronunciation later.

So what is Samhain and how does it relate to Halloween? Well to answer that we need to look to our old friends the ancient Celts.

It’s easy to think of the Celts as a superstitious people who spent most of their time painted blue and hitting things, but really they were a very practical people who incorporated their spiritual lives into their everyday lives. Due to this a lot of their holy days tended to line up to practical matters like planting or harvesting.  It is also good to keep in mind the harsh climate they lived in. Finally you have to remember that they did not look at seasons the same way we do. To them there were two seasons, summer and winter.

So for Samhain, the first thing to know is that its literal translation is “summer’s end”, meaning it was when they marked the beginning of the winter season. Or to put it another way, it was the Gaelic word for November. The festival of Samhain was the feast that they would have to mark the occasion. It was also when they would bring in their livestock from the summer pastures and slaughter any animals to provide food for the winter. Due to this last bit it was sometimes known as the blood harvest.

On the spiritual side of things it was a time when the barriers between the worlds of the living and the dead were thought to be thinnest. Many traditions that we think of as Halloween traditions were born out of this belief. People would dress in ways they normally didn’t to confuse spirits that meant harm, turnips were craved into frightening faces to scare off evil spirits and offerings were left out for the beloved dead.  Thus we have costumes, Jack-o-lanterns, and trick or treating for candy.

For the Celts Samhain was the beginning of their year and the festival of Samhain their most important holy day.

I’m sure some of you are now thinking “But haven’t I heard of an actual mythological character called Samhain?”

I’m sure you have, and let me take this time to explain why this is wrong.

In the 18th and 19th centuries in England the practice of armchair academics was very popular. These were amateurs in various sciences who would do research and get published without any actual field experience. I have always held the belief that the kind of people that did this would be what Monty Python would refer to as an Upper Class Twit.

One such individual was Col. Charles Vallency, who wrote a 6 volume set of books in 1770 that attempted to prove that the Irish people once came from Armenia. This work has the first reference that can be found naming a god called Samhain.

This concept would be picked up by Godfrey Higgins in 1827. Higgins wanted to prove that the Celts originally came from India. Now today there is scientific evidence that backs this up, but the field work that proved it had not been done yet in 1827 and Higgins needed something to prove his theory. In his research Higgins came across Vallency’s work and picked up on the idea of calling a god Samhain. He found a Hindu God named Samana, and figured he had his hook.  But he needed a mythology to go with Samhain to make this work.  Finding reference to the blood harvest it was an easy step to go from a sensible practice to survive the winter to a festival of ritual sacrifice to appease a pagan god. And the belief of the dead roaming the land made Samhain a god of the dead, terrorizing the people as the cold set in.

And this BS is what stuck in a lot of people’s minds.  For years if you did a search on Samhain on the internet all you would find would be references to a “Lord of the Dead”. Fortunately decent research in more recent years has drowned those pages out and most information you find is in the neighborhood of accurate.

Well unless you are talking about mass media, then all bets are off.

It seems that when you want to do a TV show or movie involving Samhain that last thing you want to do is actual research, especially when the BS is so much more fun.

One example that I always think of is an episode of the TV show Supernatural. Now this show has always had its issue when it comes to research. Don’t get me wrong, I like this show, and watch it regularly. When they are working from a mythology they create no problem, but whenever they try to work in any existing folklore, not so much. Let’s put it this way, my sister and I have a game where we predict when the other is going to start flailing at the screen because they got some piece of lore wrong. When they did their Samhain episode she actually called me and said “are you yelling at the screen yet?” The answer was yes by the way. They basically took Higgins’ story and used it whole cloth, adding that Samhain was helping bring about the apocalypse.

Another is the otherwise really fun horror movie Trick r Treat. It’s iconic character is Sam who looks like a little kid in a pumpkin mask, but is in fact Samhain who acts as the spirit of Halloween.

But really it was the cartoon the Real Ghostbusters that solidified the use of Samhain as the spirit of Halloween. In multiple episodes they had a pumpkin headed baddie called Sam Hane who wanted to make every day Halloween.

As for shows that get a bit closer to the facts, even they can have issues.

True Blood for example almost drove me to drink. They did great on the Samhain mythology, but their pronunciation was like fingernails on a chalkboard. They pronounced it Sama Hane. I have no idea where they got that extra A from.

Another show that was not annoying was the show Reaper, about a guy who ended up stuck working for the Devil. In one episode the Devil lamented that he missed the festival of Samhain, and nailed the pronunciation. His mythology was a bit off, but better than most.

The one show I can cite that nailed it on the head was American Horror Story last season. They opened their Halloween two part episode with a character accurately describing the old Samhain traditions, getting both pronunciation and history correct. The best part was that since the story was about ghosts, they were able to take the accurate information and make it relevant to the plot.

So there we have it, a look at what is and isn’t true about Samhain. So when you go out this year, remember that there was no blood god wanting sacrifices, just a people getting ready for winter and honoring their beloved dead.

Mockingbird Lane review

Mockingbird Lane, the reboot of the Munsters, is what is known as a busted pilot. It is a pilot for a TV show that the network, NBC in this case, decided to pass on. But it also was expensive to produce so NBC decided to air it as a Halloween special.

So how was it?

I guess the first thing is how did Mockingbird Lane differ from the original? And the answer is a lot. The original Munsters show was a sitcom featuring characters based on the Universal Monsters. The joke was that they thought they were perfectly normal and that the rest of the world was off. Mockingbird Lane went a whole different direction with Munsters knowing that they were different and trying to blend in.

The humor on Mockingbird Lane is also darker than the original. Most plots on the original show usually centered on Herman and Grandpa getting into some form of hijinks. For Mockingbird Lane it was more a conflict between Herman and Grandpa about how to live their lives and raise Eddie.

There were two basic plot threads for the pilot. One was that Eddie had just become a werewolf and the family was addressing how to deal with this and break the news to him. The other thread was that Herman’s heart, his last original body part, was wearing out and needed replacing. Herman was resistant to this as he was worried that without his heart he would not love his family the same way.

When judging a comedy there is one simple test, did I laugh? I’ve watched it twice now, and I laughed out loud both times. So on that alone we have to say yes it succeeded.

A lot of this was due to a smart script written by Pushing Daisies creator Bryan Fuller. I’m sure a lot of credit can also go to director Bryan Singer for timing the interplay between the characters. Most of the humor was dialog and character based rather than the slapstick the old series depended on.

And how did the characters fair?

In what should be a surprise to no one, Eddie Izzard as Grandpa Munster stole the show. His expert comic timing meshed perfectly with Grandpa’s dark nature.

What was a surprise Mason Cook as Eddie Munster.  This kid is 12 but held his own and delivered almost as many laughs as Izzard.

Another surprise was how well the character of Marilyn was used. On the original show she was almost a background character, having little development. Here she was clearly a Munster and despite being normal, which was treated as a point of shame, may have been the creepiest of the family. Charity Wakefield played her with a subdued sense of glee.

Herman Munster, played by Jerry O’Connell, was the emotional core of the show, but not the source of much humor. He was largely a foil for Grandpa and the voice of reason.

Lily Munster, played by Portia de Rossi, got the short end of the stick in the pilot. She was relegated to the role of love interest.

Overall I give Mockingbird lane a B+

But I would like to see more. Hopefully enough interest was generated by showing the pilot to convince NBC to order the series.