Agents of S.H.I.E.L.D. review

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I doubt any series this fall had more anticipation than Marvel’s Agents of S.H.I.E.L.D. did. It had the best quality any new show could hope for, a pre-existing fan base. As an official part of the Marvel Cinematic Universe it could bring in the fans of those movies, especially The Avengers as it ties directly in to events from that film.

But tying in to one of the most successful films of all time is no guarantee of success. So how does Agents of S.H.I.E.L.D. fare?

Let’s find out.

The best thing that Agents of S.H.I.E.L.D.  has going for it is the character of Agent Phil Coulson played by Clark Gregg. Coulson has appeared in four of the Marvel Cinematic Universe movies and been the star of two short features. Two years ago I wrote an article called the Eighth Avenger that was speculation based on the fact that Tom Hiddleston had said Loki was going up against eight heroes, and I was trying to figure out who the eighth hero was. Clearly, after the events of The Avengers he was including Coulson in the count of heroes he faced.

Coulson has a huge fan base. Within days of the release of The Avengers there was a fan campaign to bring back Coulson, who was killed during the course of the film. The series is basically the fans getting what they asked for. Marvel even used the fan created hashtag #Coulsonlives in its ad campaign.

For those who have not tuned into the show, the premise is that S.H.I.E.L.D.  Director Nick Fury has given Coulson the go-ahead to form a proactive unit of hand-picked agents whose job will be to investigate strange happenings around the globe.

Making up the team are a mix of agents who Coulson needs to forge into this unit.

First is Melinda May (played by Ming-Na Wen), an old associate of Coulson’s who is something of a legend in S.H.I.E.L.D., but has to be coaxed back into the field after an as yet unexplained incident.

Next is Grant Ward (played by Brett Dalton), an agent who has been trained for solo work (which makes being part of a team uncomfortable for him).

Leo Fitz (played by Iain Caestecker) and Jemma Simmons (played by Elizabeth Henstridge) are the team’s scientific support, and work so closely together they are normally referred to as Fitz-Simmons.

Finally you have Skye (played by Chloe Bennet), a hacker who works with the anti-S.H.E.I.L.D.  hacktivist group Rising Tide, who is brought on in part to convince her (and through her the Rising Tide) that S.H.I.E.L.D. are the good guys. This, of course, makes her the audience surrogate and the way the other characters can provide exposition.

Behind the scenes, the series is produced by Joss Whedon, with the show run by his brother Jed and sister-in-law Maurissa Tancharoen, with Jeffrey Bell and Jeph Lobe.

On the plus side, the series has the tie-ins with the Marvel movies, as well as a chance to bring in more characters and concepts from the comics. There have already been cameos in the first two episodes by Cobie Smulders and Samuel L. Jackson, reprising their movie roles and Maria Hill and Nick Fury. The third episode also hints at being the origin story of the Marvel villain Graviton.

You also have Coulson himself, who brings his character’s trademark dry humor to the role, as well as providing the show with the ongoing mystery of how Coulson survived being stabbed with the alien staff by Loki. So far, all we know is that the story Coulson himself has been told is false, and that little things about him are off. Fan speculation is rampant about what the real story is.

There are great performances from the entire cast, but this also points out a couple of the shows weaknesses.

One weakness is that we are not getting an even playing field in regards to character development. Most episodes have had a focus on Skye, and thus she has gotten the majority of that development. Fitz and Simmons, on the other hand, have had almost none and I can’t say I know more about them than at episode five than I did from the pilot.

There is also a huge disconnect in the idea that this is a hand-picked elite team. This idea works great with Coulson, May, and Ward. Fitz and Simmons on the other hand are great in the lab, but every time they take them into the field they come off as borderline incompetents.

Overall, the team has the feel of your standard Whedon show: a talented team of misfits who are great in some areas but terrible in others come together and ultimately form a makeshift family unit. Great in most cases, but this is supposed to be an elite government task force.

This is not to say the show is bad; I am enjoying it very much. The problem is that, considering it is an official Marvel show, there are some pretty high expectations that are not being met and this is leaving people feeling disappointed.

However, I think it is fair to point out that only five episodes have aired. Whedon’s last show Dollhouse basically had similar complaints, but suddenly changed gears and really took off with its sixth episode.

So, for right now, I am going to give Marvel’s Agents of S.H.I.E.L.D.  a grade of C+. It is a decent effort, but it needs to pick up steam.

At the end of this season I will do another review of the series, and we will see what the final grade is then.

 

Horror Review: The Cabin in the Woods

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The Cabin in the Woods is a hard film to review.

Not that I didn’t understand it, or would have problems explaining the set up, it’s just that it has a complex script, and is full of clever reveals that are best viewed unspoiled. The problem, I find, is how to write about the plot without spoilers; I’m basically going to adapt the rule that anything revealed in the first 10 minutes is fair game.

But before we get into the plot, some background:

The script is by fan favorites Joss Whedon and Drew Goddard, and the film marks Goddard’s debut as a feature film director. Even though Goddard directed, this is considered a Joss Whedon project due to the scripting and the fact that he produced it. Also, the cast is filled with several Whedon regulars.

The movie was made in 2009. Unfortunately, due to several factors(not the least of which was the Bankruptcy of the MGM studio), the film was not released until 2012.

Okay, with that out of the way, let’s get into that plot.

The Cabin in the Woods follows five college students as they prepare to spend a weekend at The Cabin in the Woods, that was recently purchased by one of their relatives. The students are Curt and Jules who are a couple, Jules’ roommate Dana, Curt’s friend Holden (whom he and Jules are trying to match-make with Dana), and Marty (their mutual friend, whose dominant characteristic seems to be that he is a stoner). While prepping for their trip, the five are under surveillance by a mysterious group.

And that is all I feel I can safely say without spoiling anything.

What The Cabin is the Woods really is, is a self-aware deconstruction of the horror genre.  It does for supernatural horror what Scream did for slasher films. But it goes even more meta than that.

The script plays heavily with standard horror tropes; however, instead of defying them, it reinforces them( but in a very coherent way), all the while pointing out the ridiculousness of many of them. The best part about it is that at no time does the movie assume the audience is stupid which, in this type of horror film, is incredibly refreshing.

The film creates a connection, not just to the five designated victims, but also with the people behind their torment. It’s no easy feat to make you sympathize with both the heroes and the villains, but Whedon and Goddard find a way to do it.

It’s also worth noting that while the five friends all fit standard horror movie character types, each one also contains major subversions of those types.

Looking towards the cast you find a mix of unknowns and fan favorites.

Chris Hemsworth is the most notable name in the cast, even if this was not the case when the movie was filmed. Playing Curt, who fills the alpha male archtype standard to the genre, Hemsworth of course has the look, but also has to convey an intelligence required by the subversions in the script. A fun bit of trivia, Whedon finalized the deal to make The Avengers while working on The Cabin in the Woods and reached out to Thor director Kenneth Branagh, who was casting at the time, to suggest he take a look at Hemsworth for the lead.

Kristen Connolly stands out as Dana, who is fit into the
standard final girl role. Of course this role is going to get focus and Connolly pulls it off well.

The true stand out of the five kids is Whedon regular Fran Kranz as Marty, the stoner fifth wheel. Filling a role very similar to Jamie Kennedy’s character in Scream, Marty is the one member of the group aware that something is not right with their situation. Kranz manages to combine the characters laid back philosophy, while still conveying his increasing awareness, making him an excellent audience proxy. Again a bit of trivia. During a scene were the other characters go swimming, Marty stays on the dock and smokes a joint. The reason is that, in reality, Kranz is very athletic and actually has better muscle tone then Hemsworth, and Goddard did not think it would be a good idea for the stoner to be shown in better shape than the Jock.

Ana Hutchison and Jesse Williams do fine in the roles of Jules and Holden respectively, but neither really stand out in the way the other three do.

Two other amazing cast stand outs are Richard Jenkins and Bradley Whitford as the leaders of the group that is observing the kids. I wish I could point out what makes them stand out, but there is nothing I could say about them that would not be a spoiler.

Working with Jenkins and Whitford, you will spot Whedon regulars Amy Acker and Tom Lenk.

There is one other stand out actor who appears towards the end of the movie, but to even name who that actor is would be a spoiler. Yes the film really is that intricate.

But I think it illustrates the strength of the writing that, even with a script that intricate, at no point does it become confusing or not make sense.

Using the Fanboy News Network rating system I give The Cabin in the Woods an A. It is a top flight effort that even non-horror fans can enjoy, and is ripe for repeat viewing.

A testament to the films popularity is that this year at Universal Studio’s Halloween Horror Nights in Orlando, one of the signature haunted mazes is based on The Cabin in the Woods. And yes, that maze has spoiler warnings.